https://www.youtube.com/watch?v=Zg5zSVxx9JM
If it takes a village to raise a child, it takes a village to abuse them. These words refer to Boston, a city where, according the Pew Research Center, 29 percent of the population considers themselves Catholic.
“Spotlight” follows The Boston Globe’s investigative unit and its efforts to expose multiple cases of sexual abuse within the Roman Catholic Church.
When the movie begins, allegations of child abuse have been buried by top church and city officials. For decades. It isn’t until Marty Baron (played by Liev Schreiber), an outsider and non-Catholic, takes over as editor for The Globe that the paper decides to dedicate its investigative team, named Spotlight, to the story.
Leading the Spotlight team is Robby Robinson, played by Michael Keaton, a good ol’ boy who was born and raised among Boston’s Catholic elite. His reporters include Michael Rezendes (Mark Ruffalo), a lapsed Catholic who still holds on to the prospect that he will one day go back to church. These two are the workhorses of the Spotlight team. Sacha Pfieffer (Rachel McAdams) and Matt Carroll (Brian D’Arcy) team as reporters in the field.
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Director Thomas McCarthy truly captures the spirit of Boston, as well as the powerful Catholic church. In scenes when major plot points and information are revealed, McCarthy uses iconography to convey the message. Even in the office of Ben Bradlee, Jr. (John Slattery), a photo of St. Peter’s Basilica is visible when the team learns that 6 percent of priests will most likely act out sexually. The numbers prove to be much higher.
“Spotlight” also shows how little is needed to cover up the abuse. All it takes is a simple call from the cardinal to the D.A. for cases to be buried deeply enough to never be seen again. Survivors are discouraged from suing by church lawyers, claiming their settlements will not cover legal fees. Most members of the community can’t overcome the disgrace they feel in going against the church. As said before, it takes a village to abuse a child.
In the film as in real-life journalism, there are long stretches of time in the newsroom when the reporters wait quietly for returned phone calls and emails. These periods create a strong camaraderie among the reporters and editors. The pace in “Spotlight” is incredibly accurate about day-to-day journalism, as well as the mannerisms of reporters.
The victims of sexual abuse by members of the Catholic clergy call themselves survivors because other abuse victims like them have committed suicide. “Spotlight” does not make heroes of the reporters at The Globe, yet it does show how they opened the door for survivors to come out of the dark and tell their stories.
