With summer finally winding down, the days finally seem to be cooling off here in the Capital City. This is my favorite time of year to be in Sacramento, and it has nothing to do with Pumpkin Spice Lattes being back at Starbucks; it’s TBD season.
TBD Festival is back again and promises us even more than previous years. What originally started as Launch Festival, a one-day event in 2007 held near Del Paso Boulevard, evolved into a three-day fashion, art, culture and music festival, hosting an array of local restaurants and small businesses. When Launch changed its name to TBD in 2014, many believed it to mean “To Be Determined” since so many major changes we’re taking place. However, TBD stands for The Bridge District, the location in which the festival moved to.
So what’s changed this year? Most noticeably, there is far less dust in the air. In response to last year’s excessive dust, the pathways between stages have been wet and packed down. Also, lockers have been added, ranging from $54 to $65 with a $20 refund when returning the key. The price is slightly higher than other festivals I’ve been to, but with so many boutiques and merch booths throughout the event, it’s a good option to have.
With so much live art going on at TBD, it was easy to get sidetracked between sets. From street art on freshly built structures to hypnotizing color-changing installations, the festival clearly has a deep connection with the local art community. It also supports the local food scene, hosting an array of restaurants, breweries and food trucks. There are multiple daily “Demolicious Derby” competitions where two chefs face off in a food truck battle. Samples are then tasted and voted on by the crowd.
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Purity Ring, the music duo of vocalist Megan James and instrumentalist Corrin Roddick, not only write and produce all their tracks, but also create their stage fashion and design the lighting and effects for their performances. Roddick drummed on custom prism-like pieces as James danced through a maze of string lights. Their sound consisted of synth melodies that were just as soothing as they were danceable. They completely embodied the spirit of creativity in a way that seems very natural. No meat dresses here (I’m looking at you Lady Gaga).
Los Angeles based DJ RL Grime combines bass driven trap beats and hip-hop appeal, and it was instantly apparent the crowd loved it. The variety in dance styles is astounding, although not surprising with the carefully calculated variety of sound. I probably lost more calories dancing during his 45-minute set than I would have on a treadmill.
The Glitch Mob hit the stage hard and fast with heavy drum beats, but the real winner here was the visual appeal. The trio, comprised of Justin Boreta, Ed Ma and Joshua Mayer, somewhat resembled a taiko performance (Japanese music performed with only drums) as they each have their own drums that they played standing up. In front of each of them was a variety of midi controllers and synth boards, which were all tilted towards the crowd so people could watch their every move. They were a unique experience and a perfect way to close out the first night.
