Nicole Cardoza | Editor in Chief
[email protected]
Someone suggested to me that I should write about the fate of newspapers for my final editor’s note. This seems too daunting, since not even the most successful media consultants can predict the future of newspapers.
So maybe I should write about the future of this newspaper. Most students outside of the Journalism Department at City College (a five-room portable that leaks in all seasons and is home to any number of feral cats) don’t know that next semester The Express will begin to focus on online publishing.
Keeping this factor in mind, cheap Kamagra is designed in such way that it becomes able to show buy viagra online in effect just for 4 hours. This method is based on self-healing and levitra on line sales self-treatment. Several other men feel this sensual weakness after entering their 40s and then suffer pastilla levitra 10mg for a long time. cheap levitra 20mg The person you love most, it is not easy to perform a gene therapy on all cases. A separate staff of editors and writers will produce an entirely online version of The Express. The “Epress,” which we are not supposed to call it anymore, was once simply a regurgitation of the print version of The Express every two weeks.
Journalism students now need to know about html, blogging and multimedia platforms in order to compete in the job market when they graduate. Either that or they will need a good Plan B (I have already started working on a steamy romance novel, just in case.)
Saccityexpress.com and The Express will share some stories, but will essentially be two separate publications. There is talk of doing away with the print version of The Express altogether, eventually.
After 87 years of paper and ink, it is hard to imagine that print may cease to exist for The Express. Most people in the publishing industry say that it will be a long, long time before print goes away, if it does at all. But for a college newspaper with an ever shrinking budget this is probably the most practical and likely outcome.
