The talented outcast gets a chance. The unwilling team takes small steps  towards acceptance. The team wins against all odds. .

This is the formula for most sports movies, but “42: The Jackie Robinson Story,” delivers all this and more. Not so much a baseball film but a film that uses baseball as a vehicle for the story of two men taking on the world and challenging its views on segregation, “42” is an instant classic.

In 1946, Branch Rickey (Harrison Ford), general manager of the Brooklyn Dodgers,   signed Jackie Robinson (Chadwick  Boseman)  to his team, making him the first African-American to play Major League Baseball. In doing so, they broke the infamous color line.

With Rickey’s support, Robinson changed the world of baseball, facing blatant racism from every direction and not reacting in kind. He allowed his talent on the field to speak for itself, winning over his teammates and fans, shutting down the critics, and opening the door for others to follow in his footsteps.

Brian Helgeland (“L.A. Confidential,”“Mystic River”) wrote and directed this emotional epic. Helgeland wrote a solid script, knowing when and where to place racial slurs where they hurt the most and providing opportunities for a chuckle where necessary and intimate moments between Robinson and his wife Rachel (Nicole Beharie) to remind the audience how fragile and strong he truly was.

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Boseman plays Robinson with a quiet strength. According to accounts, Robinson was an advocate for race equality, and Bosema shows that without being overbearing. It’s fun to watch Boseman’s Robinson play the game—his genuine love for baseball is apparent and intoxicating.

Ford’s portrayal of Branch Rickey  is moving and powerful. A sense of sadness and determination drives everything Rickey does, and Ford plays this at times with subtlety and at other times with an indignation that shows he has what it takes to be the general manager of a Major League Baseball team and do what needs to be done.

The whole of Helgeland’s cast members do a phenomenal job, claiming their roles as their own. Behaire’s Rachel Robinson is dignified and graceful. Lucas Black’s Pee Wee Reese, a fellow Dodger, is sweet and encouraging of Robinson. Alan Tudyk steals the show as Ben Chapman, the manager of the Philadelphia Phillies, vocally opposing Robinson’s presence on the field.

This may be yet another film that explores our nation’s history of racial segregation and steps that were taken to begin overcoming it. It is also a well-done biopic about one man who became an inspiration to a nation, and it is definitely worth seeing